The Funk Never Dies w. special guest George Clinton
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A living legend steps inside a museum. We Sound Crazy goes live from the National Museum of African American Music in downtown Nashville for one of the most important conversations in show history, sitting down with the Godfather of Funk himself, George Clinton. For more than 60 years, Clinton has pushed the boundaries of creativity, imagination and sound. Through Parliament Funkadelic, he created an entire universe pioneered by the P-Funk movement, helped define Afrofuturism, and laid the foundation for generations of artists across funk, R&B, hip hop and beyond. A Rock and Roll Hall of Fame inductee, Grammy Lifetime Achievement recipient, and one of the most sampled artists in music history, Clinton sits with hosts Phillionaire, Claude Kelly and Chuck Harmony of Louis York, and Tamone Bacon for a wide-ranging conversation about funk, culture, business and legacy. In a first for We Sound Crazy, he is also presented with the inaugural WSC Vanguard Award, a new honor created to celebrate trailblazers whose impact reshaped the entire landscape of Black music.
The conversation moves everywhere the man has been. Clinton revisits the doo-wop and Motown years and explains why failing charm school is exactly what set Parliament Funkadelic free to invent the funk. He breaks down Bootsy Collins, Bernie Worrell and the Minimoog, the night 100,000 Afros bounced at Soldier Field, the bar mitzvah melody that secretly became Flashlight, and how the barbershop in Newark, New Jersey is responsible for 98 percent of his songwriting process. He talks Kendrick Lamar, his dream collaboration with D'Angelo, Prince and Sly Stone, what he tried to get Snoop to do with a royalty statement party, his mentorship of Prince, and the copyright recapture fight he is leading through his nonprofit Protecting Our Legacy. He also reveals he is in Nashville right now because a brand new Mothership is being built in the city, ready to fly at the Essence Festival in New Orleans on July 5th. And he addresses the question every artist is wrestling with right now: artificial intelligence, what he saw coming in 1977 with Funkentelechy, and why he is more interested in making AI funky than he is afraid of it.
Press play for one of the most important voices in music history, in his own words, on his own time.
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Special thanks to our We Sound Crazy team!
Director: Aaron Walton
Director of Photography: Aaron Walton
Camera Op: Aaron Walton, Michael Johnson Jr.
Editor: Hyyer Creative
Producer: Aaron Walton
Audio: Trey Smith Audio
Photography: Darius Jones
Thank you to all of our listeners, as well as our partners at Visit Music City, and a special thanks to the National Museum of African American Music for hosting this conversation. Shout out to Tanisha Nelson, Vivian Chu, Reggie Hudlin and Byron Phillips for making this moment a reality.
Special thanks to George Clinton!
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